The Phoenix is a stereo compressor, which can be used as a pair of mono compressors. It has a ‘soft knee’ or ‘variable mu’ characteristic in that the compression ratio increases with the amount of compression being used. Initial compression is 1.2:1 increasing to 5:1 at 15dB compression. The Phoenix is being updated continually and this unit is the Master version (su  [see product page]

Orpheus is a FireWire interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers. Orpheus is ideal for music and sound recording, production & monitoring, stem-based mastering and analogue summing. Orpheus provides Prism Sound's renowned performance and sound quality in a dedicated FireWire unit compatible with Windows  [see product page]

Dual channel full parametric eq. Each of the five broadly-overlapping bands offers 15dB of Boost or Cut and adjustable bandwidth (or “Q”) from 0.4 to 4 with extraordinary resolution, benchmark transparency, generous headroom, and surgical precision. Requires the external GML 8355 Power Supply.   [see product page]

 Catalogo Eventide Dual Effects Block Architecture Eclipse is the only effects processor in its class to feature 24-bit digital conversion and 96kHz sampling. We’ve packed almost 100 algorithms into Eclipse along with a two effects block design. The dual routing configurations let you use Eclipse as two independent effects processors; ideal for the smaller, budget-conscious studio. The  [see product page]

Zen brings Audient’s high resolution mixing technology to the forefront of the modern studio environment with an intuitive blend of classic analogue audio and flexible DAW integration. At its heart Zen is a compact, classic analogue recording and mixing console. Dual inputs provide the mic/line input stage and the DAW return path, offering a flexible system for connecting to a DAW o  [see product page]

A microphone to keep the spirit of the glorious old tube microphones alive, whilst complying with the high technical standards of modern high-tech microphones in the same way. Accessories Suspension, aluminium case, power supply, windscreen, vovox hi performace cable, manual.   Type Pressure Gradient Transducer     [see product page]

Two channels compressor. Ideal for recording or mastering. The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.   Applications Top recording and mastering engineers still use some analogue signal processing eq  [see product page]

ASP8024 24 Channel console (optional patchbay and Command-bay control system) A powerful, flexible and intuitive console, ASP8024 brings superb audio performance from one of the world's most experienced and successful console engineering teams. David Dearden and Gareth Davies, the founders of DDA, have pooled their combined experience of over fifty years to produce a console that pro  [see product page]

Precision stereo eq. Ideal for mastering or recording. The MEA-2 is a stereo or 2-channel, four-band precision analogue equalizer with stepped Q/shelf, frequency and cut/boost controls on each band. The MEA-2 Precision Stereo Equalizer is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required. Applications Top re  [see product page]

Two channels Class A microphone pre-amplifier. The latest addition to the Neve outboard range, the 1073DPA provides two of the world famous Class A Neve 1073 microphone pre-amplifiers. This classic design is the consummate mic pre for recording vocals, guitars and acoustic instruments of all descriptions. The sought after Neve Sound is now available in a cost effective 1U box. Features Clas  [see product page]

Discrete 2 Channel Stereo Buss Compressor   Features: API 2520 op-amp Variable threshold between -20 and 10 Selectable Ratio, Attack and Release times Patented "Thrust" high-pass filter before RMS detector Variable link between left and right channels Old "feed back" or new "feed forward" compression Soft, Medi  [see product page]

Royer Audio Demo The R-121 is a thoroughly modern ribbon microphone designed for today's studio and live environments, exhibiting a flat frequency response and well balanced, panoramic soundfield. Its ability to withstand 135 dB SPL makes it ideal for applications that were previously considered off limits to ribbon microphones. New developments in magnetics, materials and mecha  [see product page]

The input signal is split into three frequency-bands. Each band is passed through a stereo compressor where gain and compression can be altered. The outputs of the compressors are then re-combined and fed to the outputs. There are four different frequencies for each of the two crossovers that can be separately selected for the low-to-mid and the mid-to-high bands. The three fre  [see product page]

 Catalogo Maselec - Eight stereo inputs.- Two stereo outputs with separate amplifiers; both can drive 600 ohms and be unbalanced.- The signal path is completely balanced. Unbalanced signals are 'balanced' at the inputs.- Only three amps in the path.- Cut/solo with one common relay for each channel.- Output noise lower than -88dBu with full gain and all inputs open (you need converters   [see product page]

Sidechain filter version. Includes side-chain filter (75Hz e 150Hz) A twin channel 'vari-mu' device. Compression ratio starts low and increases gradually so that compression can be subtle and natural, but compression effects can occur when driven hard. Very low noise. Continuously variable controls for Gain, Attack, Release, Threshold and Output Level. Stereo link for compressi  [see product page]

Born on the 10th of May 1970, the 1073 preamp is possibly the world’s most desirable and famous preamp. Originally fitted to the custom console for Wessex A88, the module was used extensively during the 1970’s on standard Neve recording consoles such as 8014. This hand built Class module offers 3 bands of EQ with one fixed high frequency band and two switchable bands with cut and bo  [see product page]

Fat Bustard - 12 channel mixing with attitude The new valve summing mixer is now finalized and in production, with the first units scheduled for delivery end of July 2008. More than just a straight summing mixer, this new offering provides sound shaping possibilities too, with a simple yet powerful bass ( 50Hz ) and treble ( 10kHz ), Stereo Width and Depth controls, and the new &lsqu  [see product page]

Cos'è MATRIX: A questo link un approfondimento sull'uso di Matrix maturato dalle sessioni di Demo effettuate da Funky Junk nel 2008 Give your studio a new heart What is Matrix? In a sentence, Matrix is a SuperAnalogue™ 16 channel, 40 input mixing console with inbuilt signal router and multi-layer digital workstation control. In use  [see product page]

Twenty-two years of progressive research into loudness perception resulted in a limiter/compressor unlike any other. The 8900’s psycho-acoustic approach uses multiple true-RMS detectors, remarkably accurate log converters, and fast peak detectors to respond intelligently to real signal energy, not just level. The entire audio path is all-discrete, including the VCA, for unsurpassed transp  [see product page]

ASP 8024 12 Channel console A powerful, flexible and intuitive console, ASP8024 brings superb audio performance from one of the world's most experienced and successful console engineering teams. David Dearden and Gareth Davies, the founders of DDA, have pooled their combined experience of over fifty years to produce a console that provides sound quality and features normally associated   [see product page]